Rob Zabrecky: Bass Beck Hansen: Guitar (Acoustic), Producer, Vocals Rob Schnapf: Mix, Producer Tom Rothrock: Mix, Producer Petra Haden: Violin
Blackhole [Version (a)]:
When we, when we
Looking for a better home
Got me, got me
Burning out a light bulb
Holding to a waste can
Yellow car, yellow car, put me inside there
Wake up wake up
Nothing's gonna harm you
Glass wall, glass wall
Standing on the furniture
Little boy, little boy
Layin' in a sleeping bag
Through the cracks in his eyelids
Feeding on the broken snow
Lost head lost head
Staring through the orange juice
Can't afford a telephone
Nothing's gonna harm you
The stunning closing track from Mellow Gold, "Blackhole" remains one of the finest recordings Beck has ever created. The simple melody and hypnotic guitars create a beautiful and powerful atmosphere. Petra Haden, of that dog, adds some mournful violin to the mix. "Blackhole" shows the depth inherent in Beck's songwriting, even from his earliest stages. The song does not get performed live anymore, and was never a single, so remains a severely underrated highpoint in Beck's career.
The exact lyrics were always a mystery to me. The way they're sung and the way the song was mixed made them difficult to decipher. The mysteriousness was clearly part of the overall whole. However, after many people and many years of attempting to figure them out, Beck finally corrected them himself on Beck.com's lyric section (now defunct)! (The fans and I had been pretty close with the first two verses; the third was where he brought real clarity.)
It appears to be a portrait of someone, seemingly homeless? Or perhaps young. Or both. The strength comes because the song is neither optimistic, nor pessimistic, in its portrayal, but honest and real.
Blackhole" was performed regularly throughout 1994 and 1995. It was normally done electrically, with a full band. This ended up much more eerie and disorienting than the subtle beauty of Gold's acoustic guitars. Featuring a throbbing bass, electric guitar, and dynamic musical explosions after the verses, the grunge atmosphere was drastically different from the album's tender beauty. Don't get me wrong?it was still usually quite impressive. Unfortunately, "Blackhole" has not been performed at all in quite some time.
1994-1995 Mellow Gold tours
"Blackhole" was a regular in the sets while Beck toured behind Mellow Gold. It was also one of the centerpieces of the shows. Beck rearranged the song to be a full electric powerful grunge song on stage. Such a drastic difference from the record! It's basically a whole new song.
One of the earliest performances of the song occurred on June 29, 1994, in Minneapolis, just a few months after Mellow Gold was released. On that night, the song boasted an especially long bass intro. After about six and a half minutes, it segues directly into "Spanking Room," which, on record anyway, couldn't be a more different song. But on stage they fit together quite well.
At the tiny Middle East club in Cambridge, MA, on October 28, 1994, the song "Maximum Potential" acted as the intro to "Blackhole." This was the best live version of the song I've ever heard: long, dark, dramatic and a bit creepy.
Here is a version from a week later, November 5 1994:
The few 1995 versions that circulate sound much like the October 28, 1994 arrangement.
1996-1997 Odelay tours
"Blackhole" did not seem to survive past 1995 in the setlists, though I'm told on the Odelay tours, Beck did soundcheck with it for fun, and there are occasional reports of it popping up. No bootlegs I am aware happened to catch it if it did!
This is and always be a song high on my list to hear in person. It's way too damned good of a song to have not been played in over a decade. (Edit: two decades, now.)
For years, there were all sorts of lyrical transcriptions around the web. Beck's words on this one were somewhat obscured in the recording. However, around 2002 or so, Beck corrected the lyrics himself, posting them on beck.com. That is what is listed above.