Written by: Beck Hansen
Versions:- Lazy Flies (3:43)
Available on Mutations and 1 other release.
CreditsJustin Meldal-Johnsen: Bass (Electric), Percussion
Joey Waronker: Drums, Percussion
John Sorensen: Engineer
Nigel Godrich: Engineer, Producer
Beck Hansen: Guitar, Producer, Vocals
Roger Joseph Manning Jr.: Keyboard / Synthesizer
Lyrics:Lazy Flies [Version (a)]:
Lazy flies all hovering above, the magistrate puts on his gloves
And he looks to the clouds all pink and disheveled
There must be some blueprint, some creed of the devil inscribed in our minds
A hideous game vanishes in the air, the vanity of slaves
Who wants to be there to sweep the debris?
To harness dead horses, to ride in the sun
A life of confessions written in the dust
Out in the mangroves, the myna birds cry
In the shadows of sulphur, the trawlers drift by
They're chewing dried meat in a house of disrepute
The dust of opiates and syphillis patients on brochure vacations
Fear has a glare that traps you like searchlights
The puritans stare, their souls are flourescent
The skin of a robot vibrates with pleasure
Matrons and gigolos carouse in the parlor
Their hand-grenade eyes invalid and blind
A hideous game vanishes in thin air, the vanity of slaves
Who wants to be there to sweep the debris?
To harness dead horses, to ride in the sun
A life of confessions written in the dust
Lalalalalalalala...
The Song:"Lazy Flies" is easily one of Beck's weirdest and wordiest songs. It has a very strange feel to it, completely unique from any other Beck song. The repetitious vocal melody is constantly anticipating a chorus that never comes, until he "lalala"s a little at the end.
As Beck describes it, the song "is this imaginary movie about some colonial, futuristic backwater. But it also contains elements of the barrio I grew up in. I grew up in that seedy part of LA where all the Salvadorean mechanics and maids who work in the big mansions of the super-rich elite in the Hollywood Hills live." This mix of imagination and reality, while in most of Beck's work, here is at its most cinematic. It truly is an "imaginary movie." And it really is both "colonial" and "futuristic" at the same time!
Images of decay and uselessness are prevalent in the lyrics. The opening lines describe this decaying situation with "lazy flies are hovering above," which bring to mind garbage and ruin. Beck allows the listeners to relate to their own garbage, their own decaying situation, be it real or in the mind. For Beck, it could have been something he saw in Los Angeles. He's not really looking for escape, but does offer a fairly graphic description of this hell with images of hideous games and dust and shadows of sulphur. He wonders, "Who wants to be there?" All the people who
are there are doing pointless things like chewing dry meat, going on brochure vacations (i.e., dreaming of leaving), and harnessing dead horses. This world is not a pleasant one. I think the song could really use a chorus of some sort, which, if anything, would have put a little perspective on this world.
One of Beck's talents is writing about all this debris and decay, but without making it overly depressing or disturbing. Many of the songs on
Mutations are like this, from "
Cold Brains" to "
Dead Melodies" to "Lazy Flies." Beck talked about this: "When I sing about decrepitude or corrosion, I'm not sittin' at the wailin' wall. These aren't depressing things to me. They're kind of humorous, ambiguous. They're just part of the fabric of my life. In my mind, a perfectly manicured suburban world is more of a wasteland than a pile of rusted iron. I could be writing about the most idyllic place and [I'd] make it sound like a way-station at the Apocalypse." I think this description
really fits "Lazy Flies."
Live:Played live 101 times:
January 10, 1999April 11, 1999April 12, 1999April 14, 1999April 16, 1999April 18, 1999April 19, 1999April 21, 1999May 8, 1999May 9, 1999...and
91 more.
Earliest known live version:
January 10, 1999Latest known live version:
May 24, 2006The song was premiered on stage on January 10 1999, in New York. This version was a full-band performance, and a little ragged. Afterwards, Beck commented, "That's a lot of chords!" A little later, it was also played at a number of the
Mutations concerts in Japan. It had an interesting and different stage arrangement?the first verse was just Beck singing with acoustic guitar, and Justin Meldal-Johnsen shook a shaker. Then with the beginning of the second verse, the rest of the band joined in. It spiced the song up a bit, made it a little more dynamic.
From 2000 to 2002, "Lazy Flies" appeared in just a few acoustic sets here and there. One of these was on February 18 2000, in Philadelphia. Before the song Beck asks, "You're gonna have to let me slide if I have to abort ship on this, OK?" He sings the first two verses only (and not the repeated coda), and though he sounded worried about remembering the lyrics, they all come back to him just fine.
A few band arrangements of "Lazy Flies" were performed in the summer of 2000. It was very similar to the
Mutations-tour versions from a few years before. Roger Manning adds all sorts of synthesizer effects before jamming on his harpsichord a bit. It's over pretty quickly.
Beck finally took to playing the song consistently in August 2002. He didn't play it at the first four shows of the tour, but it was at every show after that. The performances from this tour are definitely my favorites of this song, though I cannot really explain why. It just sounds better. :-)
In October 2002, much like in August, Beck didn't play "Lazy Flies" at the first three shows. But then once he started, he didn't stop playing it. Never played with the Flaming Lips, always played solo, this appears to be one of Beck's favorite songs to do nowadays!
February 14, 2003 had a band version. He continues with the song during 2003, regularly doing the song with his new band throughout their US tour in June. It was mostly forgotten during the August tour in Europe though.